Regress - Griegsamlingen - Oseana

11 March 2017 - 2 April 2017

Exhibition view

Faith, 2017, pen and color pencil on paper. 123 x 160cm.

Exhibition view

Icon, 2017, pen and color pencil on paper. 87 x 71cm.

Exhibition view

Futura, 2016, pen and color pencil on paper. 65 x 45cm.

First Garden, 2017, pen and color pencil on paper. 60 x 60cm.

Exhibition view

Invitation Lost, 2017, pen and color pencil on paper, 60 x 60cm.

Hide And Seek, 2007, pen on paper, 42 x 67cm.

Exhibition view

Mother, 2017, pen and color pencil on paper, 123 x 160cm, framed.

First Garden, 2017, pen and color pencil on paper, 60 x 60cm, framed.

Icon, 2017, pen and color pencil on paper, 87 x 71cm, framed.

Faith, 2017, pen and color pencil on paper, 123 x 160cm, framed.

Invitation Lost, 2017, pen and color pencil on paper, 60 x 60cm, framed.

__________________________

Future Dreams

ONS Artist 2016 (Offshore Northern Seas - Stavanger)

Future Dreams

2016, Pen and colorpencil on paper, 60x75cm, framed

Private collection

As the selected ONS Artist 2016 I was asked to do an outdoor project for the public areas of the ONS Festival. Something that could be seen both day and night, and stand any weather conditions.

Inspired by the massive shift in the local oil industry and the worlds urgent need of a greener future, I wanted my project to be a reminder of the fragile relation between the human body and nature.

 

For my project Future Dreams, a series of five, pen and color pencil drawings (50 x 65 cm) was photographed and printed out large scale (approx 2x2 meters) on 4mm aluminium. The prints were mounted as two-sided road signs in the ONS Festival area in the harbour of Stavanger, one was placed at the exhibition hall entrance at Forum, Tjensvoll.

My project also included making an exclusive drawing for the official ONS 2016 poster, program, thank-you-cards and flyers.

 

ONS - Oil and Gas – Stavanger International Trade Fair  - August 29 - 1 September 2016

 

http://www.ons.no/2016/news/marit-victoria-wulff-andreassen-is-the-ons-artist-for-2016/

 

Fluid Spark

2016, Pen and colorpencil on paper, 60x75cm, framed

Collection of the artist

Regress

2016, Pen and colorpencil on paper, 60x75cm, framed

Private collection

Intro

2016, Pen and colorpencil on paper, 60x75cm, framed

Collection of the artist

Cluster

2016, Pen and colorpencil on paper, 60x75cm, framed

Collection of the artist

Fluid Spark

Detail - Fluid Spark

B-side - Intro

Detail - Intro

Intro

Detail - Cluster

B-side - Cluster

Cluster

Detail - Regress

Regress

Futura, 2016

Pen and color pencil on paper, 50x65 cm

Collection of the artist

__________________________

Oh Devolution I - IV

2016, Pen and colorpencil on paper, 60x75 cm (framed)

Collection of the artist

I

II

III

IV

Exhibition view, group show Alluring Landscapes, Deceptive Twilight

__________________________

Through The Woods, Stavanger Art Museum, Norway, March 6. - May 25., 2015

 

Curator: Vibece Salthe

All installation photos: Oddbjørn Løken Aarstad / Marit Victoria Wulff Andreassen

The Second Coming, 2014

Pen and colorpencil on paper, 75x96 cm

Stavanger Art Museum MUST

Press release:

 

Through The Woods, Marit Victoria Wulff Andreassen

Stavanger Art Museum MUST

 

On Friday, 6 March 2015, at 7pm, Marit Victoria Wulff Andreassen’s exhibition Through the Woods opened at Stavanger Art Museum. The exhibition was officially opened by Gunnar Danbolt, professor emeritus of art history, University of Bergen.

Marit Victoria Wulff Andreassen is one of our era’s most interesting and singular artists. With motifs centering on the body and gender, plus her critical questioning of aspects related to identity and sexuality, she draws our attention to core human experiences. Her works can be seen as vexing and titillating, beautiful and repulsive, all at the same time.

 

Even as a student, Wulff Andreassen’s artistic practice generated great interest; before she graduated, her drawings were purchased by Norway’s National Museum of Art, Architecture and Design. Since then her works have been incorporated into several key collections, and she has exhibited in notable art institutions in Norway and abroad. Her art is also featured in central art-historical publications. The impact of it, however, extends beyond the traditional sphere of art, provoking interest amongst academics and others who work with research questions related to gender and identity.

zzDespite the considerable attention and extensive exhibition activity, Through the Woods will be the first solo show Wulff Andreassen holds in a museum. The catalogue published in connection with the show is the first to present a comprehensive overview of her artistic practice. Along with beautiful colour reproductions of the exhibited artworks and several public commissions, the catalogue contains essays by Sigrun Åsebø, Wencke Mühleisen, Tommy Olsson, Helga Nyman and Vibece Salthe.

 

Curated by Vibece Salthe, the exhibition features more than 70 works created since the early 2000s, some quite recently.

 

First Meeting, (2005)

Eye Of P, 2014

Pen and colorpencil on paper, 42x35,5 cm

Haugesund Billedgalleri

Strange Bird, 2009

Pen and colorpencil on paper, 99x129 cm, framed

Private collection

Hurra I, from the series 3x3 hurra, 2012

Pen and colorpencil on paper, paper cut, 48x38 cm, framed

Collection of the artist

Broche, 2014

Acrylic on canvas, 180x160 cm

Private collection

Knotted Cord, 2013

Pen and colorpencil on paper, 80x80 cm, framed

In the collection of RiddoDuottarMuseat - Sámi museum

Blessed Round (Remastered), 2016

Pen and colorpencil on paper, 98x98 cm

Haugesund Billedgalleri

2016 © Marit Victoria Wulff Andreassen